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Impressionism emerged in France during the late 19th century as the first modern art movement, challenging traditional artistic norms. Pioneering artists such as Claude Monet and Edgar Degas, along with their contemporaries, faced rejection from the Salon, the official state-sponsored exhibition. In response, they organized their own independent exhibition in Paris in 1874, marking the beginning of a revolutionary approach to painting. Their works were distinguished by vibrant colors, an emphasis on light, unconventional subject matter, and thick brushwork.
Unlike previous art movements that favored muted tones and dark backgrounds, Impressionists embraced bright hues such as red, green, yellow, and orange. Their fascination with the interplay of light and color led them to paint outdoors, capturing fleeting moments in nature. Monet, for instance, famously painted the same scene multiple times at different hours to document the shifting effects of light.
The subjects of Impressionist paintings reflected their everyday surroundings. While the Salon favored historical, biblical, and mythological themes, Impressionists focused on rural landscapes, gardens, and riverbanks. They also depicted urban life, portraying bustling Parisian streets and the growing industrialization of the era. Their preference for painting outdoors influenced their choice of smaller canvases, allowing them to work directly from observation rather than relying on studio sketches.
Due to the limited time available before light conditions changed, Impressionists developed a distinctive style characterized by thick, sketch-like brushstrokes. Unlike the finely detailed figures of traditional art, their works deliberately avoided precision, favoring spontaneity and movement. Critics initially dismissed their paintings as lacking refinement, with art critic Louis Leroy coining the term “Impressionism” in a satirical review of Monet's work. Despite early skepticism, the movement gained recognition for its innovative approach.
Today, Impressionist paintings are celebrated worldwide, exhibited in prestigious museums, and sold for millions at auction. Their groundbreaking techniques and artistic vision have profoundly influenced modern art, shaping the way artists perceive and represent the world around them. Impressionism's legacy endures, proving that artistic rebellion can redefine the boundaries of creativity.
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正解:7.3890560989(容差 ±0.01)
設 L = limx→0+ (1 - sin x / x)1/ln x,取對數:ln L = limx→0+ ln(1 - sin x / x) / ln x。
因 sin x = x - x³/6 + ⋯,故 1 - sin x / x = x²/6 - x⁴/120 + ⋯ = (x²/6)(1 - x²/20 + ⋯)。於是 ln(1 - sin x / x) = ln(x²/6) + ln(1 - x²/20 + ⋯) = 2 ln x - ln 6 + O(x²)。
除以 ln x:[2 ln x - ln 6 + O(x²)] / ln x = 2 - (ln 6)/ln x + O(x²/ln x)。當 x→0+ 時 ln x → -∞,故第二、三項皆 →0,得 ln L = 2。
因此 L = e² ≈ 7.389056。(數值收斂很慢,因 -(ln 6)/ln x 衰減極緩,但極限確為 e²。)


由 eu = Σn≥0 un/n!,代入 u = -x²:
e-x² = Σn=0∞ (-1)n x2n / n! = 1 - x² + x⁴/2! - x⁶/3! + ⋯ = 1 - x² + x⁴/2 - x⁶/6 + ⋯
收斂半徑為 ∞(對所有 x 收斂)。

令 s = t - 1,則 f(x) = ∫1x-1 e-(t-1)² dt = ∫0x-2 e-s² ds。這正好以 a = 2 為中心(注意 f(2)=0)。
把 e-s² = Σn≥0 (-1)n s2n/n! 逐項積分(自 0 到 x-2):
f(x) = Σn=0∞ (-1)n (x-2)2n+1 / [n! (2n+1)] = (x-2) - (x-2)³/3 + (x-2)⁵/10 - (x-2)⁷/42 + ⋯
收斂半徑為 ∞。

正解:-0.05(容差 ±0.001)
令 w = x - 2 → 0。由第 2 題 (b),f(x) = w - w³/3 + w⁵/10 - ⋯;又 arctan(x-2) = arctan w = w - w³/3 + w⁵/5 - ⋯。
分子:f(x) - arctan w = (w⁵/10 - w⁵/5) + O(w⁷) = -w⁵/10 + O(w⁷)(w 與 w³ 項完全相消)。
分母:(x-2)⁴ ln(2x-3) = w⁴ · ln(1 + 2w) = w⁴ (2w - 2w² + ⋯) = 2w⁵ + O(w⁶)。
故極限 = (-1/10) / 2 = -1/20 = -0.05。


設 F(x,y) = ex²+y - ln(x/y²) - 1 = ex²+y - ln x + 2 ln|y| - 1。在 (1,-1):e0 - 0 + 0 - 1 = 0 ✓,且 y(1) = -1。
偏導數:Fx = 2x ex²+y - 1/x;Fy = ex²+y + 2/y。在 (1,-1)(ex²+y=1):Fx = 2 - 1 = 1,Fy = 1 - 2 = -1。
y'(1) = -Fx/Fy = -(1)/(-1) = 1。
線性化:L(x) = y(1) + y'(1)(x - 1) = -1 + 1·(x - 1) = x - 2。即 y ≈ x - 2。

正解:10(容差 ±0.001)
由 (a) 得 y(1) = -1、y'(1) = 1,且在 (1,-1) 處 ex²+y = 1。對 F(x,y(x)) = 0 二次微分得 Fxx + 2Fxy y' + Fyy (y')² + Fy y'' = 0。
二階偏導(E = ex²+y):Fxx = 2E + 4x²E + 1/x² → 在 (1,-1):2 + 4 + 1 = 7;Fxy = 2xE → 2;Fyy = E - 2/y² → 1 - 2 = -1;Fy = -1。
代入:7 + 2·2·1 + (-1)·1² + (-1)·y'' = 0 ⇒ 7 + 4 - 1 - y'' = 0 ⇒ y'' = 10。
故 y''(1) = 10。(數值隱式求解亦驗得 ≈ 10。)

正解:5.1415926536(容差 ±0.01)
令 x = 4 sin²θ,θ∈[0, π/4](x: 0→2 對應 sin²θ: 0→1/2)。則 4 - x = 4 cos²θ,(4-x)/x = cot²θ,√((4-x)/x) = cotθ;dx = 8 sinθ cosθ dθ。
被積式:cotθ · 8 sinθ cosθ dθ = 8 cos²θ dθ。
∫0π/4 8 cos²θ dθ = 8 [θ/2 + sin 2θ/4]0π/4 = 8 [π/8 + 1/4] = π + 2 ≈ 5.141593。
故 ∫02 √((4-x)/x) dx = π + 2。


兩曲線在 P=(0,1,2) 上(r₁ 在 t=0、r₂ 在 t=1 達 P),其切向量皆與 ∇f(P) 垂直。
r₁'(t)=(3, 2e2t, -2 sin t),t=0 → T₁=(3,2,0);r₂'(t)=(1/t, 2t, -2/t²),t=1 → T₂=(1,2,-2)。
設 ∇f(P)=(a,b,c),已知 b=fy=3/2。由 ∇f·T₁=0:3a+2b=0 ⇒ 3a+3=0 ⇒ a=-1。由 ∇f·T₂=0:a+2b-2c=0 ⇒ -1+3-2c=0 ⇒ c=1。故 ∇f(P)=(-1, 3/2, 1)。
切平面:-1(x-0) + (3/2)(y-1) + 1(z-2) = 0,整理(乘 2)得 -2x + 3y + 2z = 7(等價於 2x - 3y - 2z + 7 = 0)。

由 (a),∇f(P)=(-1, 3/2, 1),|∇f(P)| = √(1 + 9/4 + 1) = √(17)/2,故 u = (-1, 3/2, 1)/(√17/2) = (2/√17)(-1, 3/2, 1),即 u=(u₀,u₁,u₂),u₀=-2/√17、u₁=3/√17、u₂=2/√17。
因 g(P)=0,沿 u 的方向導數 Dug(P) = limh→0⁺ g(P+hu)/h。代 P+hu=(hu₀, 1+hu₁, 2+hu₂):分子 = |hu₂|·sin(π h u₀) ≈ |hu₂|·(π h u₀) = π u₀ |u₂| h²;分母 = |hu₀| + 2|hu₁| + |hu₂| = h(|u₀|+2|u₁|+|u₂|)。
故 g(P+hu)/h → π u₀ |u₂| / (|u₀| + 2|u₁| + |u₂|)。代入 |u₀|+2|u₁|+|u₂| = (2/√17)(1+3+1) = 10/√17,u₀=-2/√17,|u₂|=2/√17:
= π·(-2/√17)·(2/√17) / (10/√17) = π·(-4/17) / (10/√17) = -2π/(5√17) ≈ -0.30478。
故 Dug(0,1,2) = -2π/(5√17) ≈ -0.3048。

正解:10.0166666667(容差 ±0.002)
f 在 P=(0,1,2) 處於約束 h=1 下取得最大值 M(1)=f(P)=10。由 Lagrange 條件 ∇f(P)=λ ∇h(P)。已知 ∇f(P)=(-1, 3/2, 1)(見第 8 格),且 hx(P)=6。
比較 x 分量:-1 = λ·6 ⇒ λ = -1/6。
由包絡定理,最大值 M(c)(約束 h=c)對 c 的敏感度為 dM/dc = λ。線性近似:M(0.9) ≈ M(1) + λ·(0.9 - 1) = 10 + (-1/6)·(-0.1) = 10 + 1/60 ≈ 10.01667。
故估計的最大值 ≈ 10.0167(= 601/60)。


讀圖(y=f'(x)):x∈[0,1] 為線段由 (0,0) 升至開點 (1,1);x=1+ 起自開點 (1,-1),下凹至開點 (2,-2)(極小)後上升,於 x=3 處過零並陡升,x→4- 時 f'→+∞;x=4+ 自 -∞ 上升,於約 x=5 附近過零,形成位於 x 軸上方的小凸起後再下降,至 x=6 約為 -1。f' 在 x=1、2 為跳躍不連續,x=4 為垂直漸近。
(a) f 在 x=2 的右導數 = limx→2⁺ [f(x)-f(2)]/(x-2);由均值定理,此差商等於某中間點之 f',當 x→2⁺ 時 f'(ξ)→ f'(2⁺)。由圖 f' 自 x=2+ 起點為 -2(開點),故右導數=-2。同理左導數 = f'(2-),由圖 x=2- 時 f'→-2,故左導數亦=-2。兩單側導數相等(皆 -2),雖 f'(2) 本身未定,f 在 x=2 仍可微,f'(2)=-2。
(b) 臨界數=f'(x)=0 或不存在之點。f'=0:x=3、以及 (4,6) 內過零點(約 x≈5 一處由負轉正、之後再由正轉負一處);f' 不存在:x=1、2(跳躍)、x=4(無界)。局部極大:f' 由正轉負處(x=1- 附近 f' 由正→1 後跳為負,故 x=1 為局部極大候選;以及 (5,6) 內 f' 由正轉負之點)。局部極小:f' 由負轉正處(x=3,f' 由負轉正;及 (4,5) 內 f' 由負轉正之點)。(依圖形精確判讀:x=1 局部極大、x=3 局部極小;x=4 因 f' 不存在但 f 連續,需逐一檢查符號變化。)
(c) y=f(x) 上凹 ⇔ f''>0 ⇔ f' 遞增;下凹 ⇔ f' 遞減。由圖:f' 在 (2,4) 遞增(上凹)、在 (0,1) 遞增(上凹);f' 在 (1,2) 遞減(下凹),(4,5) 遞增、(5,6) 遞減。反曲點出現在 f' 由增轉減或反之之處(如 x=2 附近、x=5 附近)。請依圖逐段標明。
(d) 由各區間 f' 的符號(f 增減)與大小(陡緩)描繪 f:f(0)=0,(0,1) f'>0 故 f 增;(1,2)~(2,3) f'<0 故 f 減(在 x=3 前後 f' 由負轉正,f 有局部極小);(3,4) f'>0 且趨於 +∞ 故 f 陡增;(4,?) f' 由 -∞ 回升,f 先減後依符號變化;f(4)=0 為已知定點。據此連成連續曲線。
(e) 對 x>6,f'(x) = -32/(x²+2x) - 6/(x²-6x+18)。limx→∞ f(x) - f(6) = ∫6∞ f'(x) dx。第一項:-32/[x(x+2)] = -16(1/x - 1/(x+2)),積分 6→∞ 得 16 ln(3/4)。第二項:-6/[(x-3)²+9],積分得 -2 arctan((x-3)/3),6→∞ 得 -2(π/2 - π/4) = -π/2。合計 = 16 ln(3/4) - π/2 ≈ -6.1737。故 limx→∞ f(x) - f(6) = 16 ln(3/4) - π/2 ≈ -6.174。

curl F:F=(z, 0, yz)。curl F = (∂(yz)/∂y - 0, ∂z/∂z - ∂(yz)/∂x, 0 - ∂z/∂y) = (z, 1, 0)。
(a) S 為圖面 z=g(x,y)=cos x sin y,(x,y)∈D=[0,π/2]×[0,π],上向。法向量元素 dS=(-gx, -gy, 1) dA,gx=-sin x sin y、gy=cos x cos y。
curl F · dS = (z,1,0)·(-gx,-gy,1) = z(-gx) - gy = (cos x sin y)(sin x sin y) - cos x cos y。
∬S curl F·dS = ∫0π∫0π/2 [cos x sin x sin²y - cos x cos y] dx dy。第一項 = (∫0π/2 cos x sin x dx)(∫0π sin²y dy) = (1/2)(π/2) = π/4。第二項 = -(∫0π/2 cos x dx)(∫0π cos y dy) = -(1)(0) = 0。故結果 = π/4。
(b) 邊界 C=矩形邊界之像(逆時針,配合上向)。F·dr = z dx + yz dz。三條落在 z=0 的邊(y=0、x=π/2、y=π,因 z=cos x sin y 在這些邊皆為 0)貢獻為 0。僅 x=0 邊(y 由 π 到 0):z=sin y,dz=cos y dy,dx=0,被積式 = y z dz = y sin y cos y dy = (y/2) sin 2y dy。
∮ = ∫π0 (y/2) sin 2y dy = -∫0π (y/2) sin 2y dy。由分部積分 ∫0π (y/2) sin 2y dy = (1/2)[-y cos 2y/2 + sin 2y/4]0π = (1/2)(-π/2) = -π/4。故 ∮C F·dr = -(-π/4) = π/4。
與 (a) 的 π/4 相符,驗證 Stokes 定理。